Tag Archives: father and son

Final Spreads!

Final Submission:

Image

Image

When writing the piece I realised that the tattoo was an important element of the story and so I had to make a decision as to where it would go and what I would take out as I think 7 images would be too busy on the page.

I decided to take the picture of Josh looking up at his Dad in the living room because Josh in the bath looking up at his Dad represents the same thing.

I considered taking out the top middle picture with the red walls in the background because I felt it was in danger of being too similar to the establishing page but I decided that the content was different enough and the unconcious mirroring of Paul and Joshua on the sofa was important. Also, they aren’t on the same page so having a similarity like that in’t really too much of an issue.

ImageImage

 

 

 

Advertisements
Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

The second page

How will my choice of establishing page affect the edit? 

Image

Image

 

If I am to choose this layout I have to sacrifice the following:

Image

I don’t particularly want to lose this picture but I don’t think I can use it alongside the establishing shot. The scene is too similar despite being at different times of day. I think it’s unfortunately worth losing this in the edit in order to have the establishing shot as it is.

Image

Image

My original edit. I think these moments are more interesting and tell more of a story than the narrative of a typical day for Paul and Joshua, which is how I edited some of the layouts in previous blog posts. Words can easily describe the simpler pictures I’ve missed out but I think it’s pictures like some of these that give photography it’s place in art and storytelling, as words fail to describe easily these moments in our lives.

Second page design alternative

Image

 

 

I think having six pictures that are all the same rectangular format limits the design as I don’t want to crop my images. I know in reality they might be cropped but I don’t really see a need and barely an opportunity so I’m happy to leave them.

I think between this and the original design, I prefer the original. The pictures need space between them as they work well in threes: the top being the activities and the bottom being at home.

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Decision Making

Having spoken to people who have been following this blog…(namely my Mum and my housemates), I’ve narrowed my decision down to these three designs.

 

Design 1

Image

I think Design 1 is likely to be the final submission because the text truly belongs on the picture. The font, colours, positioning and even how the text looks lit up from the natural light on the wall.

 

Design 2

Image

This was a favourite amongst people but I feel that the headline looks as though it has been placed there through default, as there is nowhere else for it to go, which is the truth. There needs to be more space between Joshua and the headline, and this is more evident when we can see the perfection of the above design.

 

Design 3

Image

I still can’t move away from this initial design although it was only my Mum that agreed with me. I just really like how the headline works alongside the images. However, it received criticism that when in context with a double page it might look too divided because of the headline having two bits to it and the pictures being quite different. It was also thought that the tattoo detail looks as though it belongs within the story but maybe not as an establishing shot, which I think is a valid point.

 

So all in all, I think it’s likely I’ll choose Design 1 but I’m going to print out all 3 in preparation for submission to see how it looks physically on paper.

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Design 7: Longing for Joshua

Image

I always thought this picture would work as an establishing shot as it shows a beautiful but quite an emotional moment between Paul and Joshua making it a strong picture but also descriptive. However I wanted to try and work with the others first as I knew I could do more with them in terms of design.

I’ve also tried to think of something different with the title by placing a strip of picture behind it and turning down the opacity – something very simple but potentially effective.

I like the design but somehow it has more of a feeling of being a film poster rather than the opening of a photographic picture story…I might be trying too hard when actually, simple is best!

 

Variation

Image

I thought I’d see how it worked on my original design. Using the picture from Design 5, I cropped it so that both faces were in the strip, which are then opposites of the two establishing shots above, emphasising the meaning of the headline.

Again, maybe this is too busy? Is it necessary to try and be clever like this and will the busy page just lose the attention of the reader?

 

 

Tagged , , , , , , , , , , , , , , , , , , , , , , , ,

Design 6: Longing for Joshua

Variation 1

Image

Once again keeping the same title, I’ve changed the establishing shot to one that I specifically shot in mind of using for the opening of an editorial. The long red wall gave me an obvious opportunity to shoot like this as Paul and Joshua played on the sofa not so long after we arrived at the flat.

In Design 6 Variation 1 I’ve kept the same design as Design 5 Variation 1, just replacing the image and changing the colour of the Futura font from black to white on the image so it stands out better and is another element I quite like!

I think I prefer this image as an establishing shot than Design 5 as it is more true to the reportage style of the story. Also I think the contrast between the playfulness of the picture and the more serious headline may make a reader wish to turn the page and find out what it’s about.

 

Variation 2

Image

I think this is the point where it’s obvious that this picture has been created specifically to be written on as it actually works so well with text over it. Saying that, I still really like Variation 1 and I’d say choosing between Variation 1 and Variation 2 would be a matter of personal taste.

In Variation 2 I’ve kept the same design as in Design 4 where I keep a strip of white along the top to place the title of the magazine and who the article is which I think works well as it means that there would be consistency throughout the editorial as well as looking aesthetically pleasing.

 

Variation 3

Image

 

This time I thought I’d see what it looked like with the title of the magazine over the top of the image. To me, it looks as though it doesn’t belong there and ruins the crispness of the design so it either needs to be Variation 2 or it needs to be taken away altogether.

 

Variation 4

Image

 

This does look much crisper but I’m not sure I agree with the idea of a page in a magazine not giving you any context as to what the magazine is, so I’m probably happier with Variation 2 in terms of placing headlines over images although I still really like Variation 1 where the headline is above the image.

 

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , ,

Design 5: Longing for Joshua

Image

Keeping the same title, I have changed the establishing shot to one that may be more descriptive but that I can’t use as a full page bleed. This is a nice moment between father and son and works well as an establishing shot to open the story. We are introduced to both subjects and although the picture is a beautiful moment, we know from the headline that there is a story somewhere.

Possible faults: Maybe I’d like to see more of the picture in focus? I was working with really low light by this point and so I was using an aperture of f/1.4, (which is one of the reasons why I think the portrait of Josh on his own is so beautiful) but here I find despite thinking this is a lovely moment, I want more of the picture to be in focus and the fact that it isn’t makes it a little distracting.

Also, if I were to use this as an establishing image, it would rule of being able to use the following shot:

Image

…And I think this is a shot that can’t be missed out!

 

Variation 1

Image

Image

I’ve had my eye on spreads like this from Parallax Magazine on Behance that place text partly on the image. With unfussy out of focus parts of images like this I think it works well and stands out as being a little different.

I think it works well on the picture I’ve chosen and is a design I’d happily use.

 

Variation 2

Image

 

My Dad sent me a couple of ideas for headlines, Windows on Fatherhood being one of them. I had to phone him and ask him what it was referring to and he explained that it was the idea of the windows being the photographs, so ‘photographs of fatherhood’.

He really likes it and so do I but I’m not sure I want the attention to about the physical object of a photograph. Instead, I want people to  focus on making the story real for people.

So for this reason I think I’m going to stick with either Longing for Joshua or Me in You, You in Me.

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , ,

Design 4: Longing for Joshua, full page bleed

Image

Whilst working with this shot on the establishing pages of designs 1-3 I was aware that there was enough space in this image to use it as a full bleed to place text over the top of it.

You may remember from my posts whilst researching editorials and designing Longevity that I was fairly against the idea of  placing text over the top of image. I find it’s often done badly and as a result is really distracting to both the image and the writing, making me as a ‘reader’ too aware of the design elements than of the story/image.

BUT…I need to give it a go and I did shoot certain shots with this in mind to see if I could achieve a design that was a little more out of my comfort zone in terms of aesthetics and design.

In fact, placing the text over the top of this image does not bother me at all and I think it works really nicely.

Never Lazy Magazine, ISSUU

Below is a similar head and shoulders portrait that has been used as the establisher to a photo story. In this example, I find that the headline kissing his face and quote that overlaps his shoulders is distracting, despite the portrait being decent.

Screen shot 2014-02-24 at 12.39.07

What I do like is how the headline mirrors the tones of the picture, so I’ve tried some for my own:

 

Screen Shot 2014-06-28 at 15.42.55 Screen Shot 2014-06-28 at 15.50.48

 

Although the colour below looks more fitting with the tones of the picture, ‘Photography and words: Amy Romer’ gets a little lost in the picture. Looking back at the black headline, it certainly looks more defined and jumps out at you more than this.

 

I left the title of the magazine at the top as I like the design element but also because there isn’t enough room at the top of the image to place it within the frame.

The problem I faced when designing this was thinking up a headline that made up for the absence of Paul because this picture alone does not really tell us too much about the story. The headline therefore needed to be descriptive.

I’m still unsure as to whether this is enough to lead someone into the story. I think the picture is strong but I wonder if there are too many questions without Paul in the frame? Or maybe the focus on Joshua is a good thing and it’s as though the viewer is looking from the eyes of Paul?

I think it’s something I’m going to get some opinions on before deciding.

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Design 3: Two Establishing Shots

Image

A minor change from Design 2 as this time I have joined up the two images in the central gutter. I think for the establishing page it could be a good thing to do as these two pictures stand for one thing. They are not two separate elements to the story and neither are they the beginning of the narrative; they just act as a collective summary.

Image

 

I’ve tried to see how the story works if I limit the amount of pictures within it. Below are the pictures I took out:

_MG_0394 _MG_0213

I took these two pictures out as they don’t contribute to the story as such. However, having taken them out and looking at the four that remain, I do think they contribute to the overall story about the relationship between Paul and Joshua. They are the quieter moments, which can be as important as the ‘doing’ moments.

 

 

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Rearranging Design 1

ImageImage

I just wanted to see what it looked like to have a more vertical second page to match the first page but I still think I prefer the way that the pictures work in a lengthways three.

I’ve also taken out two pictures that I thought could potentially be replaced by pictures I was considering. I think this picture story creates more of a narrative but I prefer the two pictures I’ve taken out to these. The question is whether this narrative is strong enough that the compromise is worth it.

This story opens with ‘Me in You, You in Me’, which tells us that the story is about the unconditional love between father and son. The detail of the tattoo also suggests that there is a story behind their relationship, without telling us too much – (hopefully just enough to make you want to turn the page!)

On the second page it is suggested that Paul has picked up Joshua and they are walking together happily into town where they get some food from McDonalds. They then go to Paul’s flat where they will spend the evening, have bath time and an intimate embrace as the day comes to an end. The story then finishes with the absence of Joshua.

If I were to use the other selection the story would be more about the relationship between father and son rather than a linear narrative of the weekend. Either can work, I just need to figure out what is more interesting and how I can write the story for it.

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Design 1: Two establishing shots

Image

 

In my last post I explained that I was trying to work out whether these two images work well as an establishing spread to the story of Joshua and Paul and I’m pleased to say that I think they do!

 

Although the content of the two images are fairly different, i.e. a detail and a close-up portrait, they are similar in the way they are shot – with a 50mm lens and large aperture so there is an aesthetic similarly and they both have connotations that tell you what the story is about as opposed to telling you any denotation. For example, the tattoo is a sign of commitment and love for his absent child and the portrait of Josh with its neutral colours and detailed perfect skin is a portrait of innocence and beauty.

 

What really marries the two images together is the headline (thanks Dad). It gives both images purpose as one is lost without the other – which is indeed the case with unconditional love.

 

Image

Having made the establishing page, I had a think about what pictures I could use for the second. These six pictures seemed to hold a balance between them as three describe their activities together (the top three) and three are beautiful moments between the two of them. On the left, Joshua looks at his Dad with love as he gets him ready for bed. The middle picture shows them playing a game in the bath and I have captured a moment where their hands form a beautiful similarity. The third shot shows a moment of equal emotion and love in the form of an embrace between father and son.

I’ve placed the pictures in places I think works. I saw a clear division in content between the top and bottom images, which is how I divided those and then I thought about what would start the story – a picture of them walking along the river, which reads as Paul picking Joshua up and them both being very happy about it.

I placed the wide shot of them on the sofa in the middle as the other two are in different places other than the flat so it seemed to make sense to place it in the centre.

The bath shot went in the middle because it holds a neutral, lighter colour that separates from the other two, which are both in the flat and similar in ways.

I’m also aware that by placing two pictures through the centre of the spread will mean that the centre of the image gets slightly cut into the gutter of the double page. However, this is done in many editorials and I think that as long as you don’t place a picture where the centre of the picture is critical to the image then it is not a problem. Both my images contain subjects at the sides and I think therefore it is okay.

The Design

I’ve tried to keep the design simple and crisp as I did with Longevity because right now I am concerned with content. I just did what I felt was best as a starting point. This means using Futura for the headline again and this time using Courier New for the poetry, page numbers and title of the editorial, which I didn’t use before but I would still conifer it a crisp, classic and modern type face.

William Wordsworth

As I haven’t written the story yet I was trying to think of what to write on the page to avoid filling with placeholder text so I started looking at poetry about fathers and sons and found this perfect verse by William Wordsworth.

 

I have a boy of five years old;

His face is fair and fresh to see;

His limbs are cast in beauty’s mould,

And dearly he loves me.

 

It mirrors both the headline and the images when I read it and so I feel it has a belonging on the page to help establish the story between Paul and Joshua. Although I do have a concern that it might be necessary to describe the story on the establishing page as I did in Longevity but as I am more free to experiment with this spread, I am happy to run with it for now.

Next:

I’m going to continue having a play with this layout to try and get the best from it before using other establishing images in order to make a comparison and further develop the design and write the story.

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,