A nice little feature on the Left A Bit blog: http://leftabitblog.tumblr.com
The more I look the more I see. An obvious thing to say but as a photographer, it can be hard to see – particularly when you don’t know what you’re looking for.
This work has varying purposes. Firstly, it is a university project which is an open brief that I am creating as I go along.
Secondly, it is work that can be used by The Green Party for promotion, their website, social media, etc.
Thirdly, the nature of the subject matter and the fact that the general election is just around the corner, means that I’m now wondering who and where might publish my work.
On reflection of the weekend, I definitely found myself being pulled in various directions to please and meet the needs of others, which I think clouded my vision as a student trying to do a mini-feature on canvassing in London (which was the unofficial brief I’d written for myself for the weekend).
However, I think what I’ve got out of the weekend is something different to what I’d set out for, and is certainly not worse than what I’d planned. It’s just less prescribed and less linear.
It’s long-form story telling. And it will require more shoots with an open mind and eyes wide open.
I have to say it’s surprisingly relieving to not know what you’re looking for.
All images Amy Romer © 2015. All rights reserved.
Once a week, Adam Burton receives physiotherapy and acupuncture treatment from the company’s own therapist to treat a groin and knee injury, both of which occured during performances of The Drowned Man.
Adam Burton eats his dinner of chicken thigh, avocado and salad leaves with one litre of chocolate milk in preparation for the evening show.
Before each show, Adam Burton completes his warm-up routine in preparation for the physically demanding role he plays as Mr. Stanford.
Adam Burton shaving for his role as Mr. Stanford.
Adam Burton changing into costume in the mens dressing room.
Adam walks through the audience prepared building where he will begin his role as Mr. Stanford.
Adam Burton sits and waits for the first members of the audience to arrive into the room where he will begin his role as Mr. Stanford in The Drowned Man: A Hollywood Fable by Punchdrunk Theatre, The Old Paddington Post Office, London, 3rd July 2014
I always thought this picture would work as an establishing shot as it shows a beautiful but quite an emotional moment between Paul and Joshua making it a strong picture but also descriptive. However I wanted to try and work with the others first as I knew I could do more with them in terms of design.
I’ve also tried to think of something different with the title by placing a strip of picture behind it and turning down the opacity – something very simple but potentially effective.
I like the design but somehow it has more of a feeling of being a film poster rather than the opening of a photographic picture story…I might be trying too hard when actually, simple is best!
Variation
I thought I’d see how it worked on my original design. Using the picture from Design 5, I cropped it so that both faces were in the strip, which are then opposites of the two establishing shots above, emphasising the meaning of the headline.
Again, maybe this is too busy? Is it necessary to try and be clever like this and will the busy page just lose the attention of the reader?
Variation 1
Once again keeping the same title, I’ve changed the establishing shot to one that I specifically shot in mind of using for the opening of an editorial. The long red wall gave me an obvious opportunity to shoot like this as Paul and Joshua played on the sofa not so long after we arrived at the flat.
In Design 6 Variation 1 I’ve kept the same design as Design 5 Variation 1, just replacing the image and changing the colour of the Futura font from black to white on the image so it stands out better and is another element I quite like!
I think I prefer this image as an establishing shot than Design 5 as it is more true to the reportage style of the story. Also I think the contrast between the playfulness of the picture and the more serious headline may make a reader wish to turn the page and find out what it’s about.
Variation 2
I think this is the point where it’s obvious that this picture has been created specifically to be written on as it actually works so well with text over it. Saying that, I still really like Variation 1 and I’d say choosing between Variation 1 and Variation 2 would be a matter of personal taste.
In Variation 2 I’ve kept the same design as in Design 4 where I keep a strip of white along the top to place the title of the magazine and who the article is which I think works well as it means that there would be consistency throughout the editorial as well as looking aesthetically pleasing.
Variation 3
This time I thought I’d see what it looked like with the title of the magazine over the top of the image. To me, it looks as though it doesn’t belong there and ruins the crispness of the design so it either needs to be Variation 2 or it needs to be taken away altogether.
Variation 4
This does look much crisper but I’m not sure I agree with the idea of a page in a magazine not giving you any context as to what the magazine is, so I’m probably happier with Variation 2 in terms of placing headlines over images although I still really like Variation 1 where the headline is above the image.